Entries will be considered for all areas of the programme including:
• Cinema screenings
• Installations and exhibitions: moving image based and otherwise
• Live events and performance
SUBMIT YOUR FILM HERE
Berwick New Cinema Competition
All single screen works under 60 minutes in length will automatically be eligible for selection in the Festival’s New Cinema Competition and a £750 prize.
Cilaos by Camilo Restrepo (pictured above) was 2016’s award winning film.
Check out the full 2016 festival programme and browse the catalogue here.
Sign up to the BFMAF Newsletter for Festival News & Artists' Opportunities.
How to Enter
Entries can be completed using the online form, which can be found at: https://bfmaf.filmchief.com
Final deadline for all submissions: 6pm GMT, Thursday 1st June 2017
The entry charge for all submissions (irrespective of length) is £15.
Wednesday 20 – Sunday 24 September 2017
Should you have any questions, contact email@example.com
Berwick Film & Media Arts Festival (BFMAF) is one of the UK’s leading festivals for new cinema and artists’ moving image.
Based in England’s most northerly town, BFMAF is a dynamic forum where fresh artistic voices develop and audiences hungry for complex and challenging art are nurtured.
Increasingly recognised for its innovative programme and critical engagement, BFMAF presents artists’ and filmmakers’ work in the cinema as well as expanded formats of exhibition and performance. It seeks to empower people and provide a generous place for the exploration of ideas and new perspectives, testing the boundaries of what a festival can be.
A town like Berwick, with its independent, edge of England mindset, is a good place for a festival that eschews the easy route when the awkward one looks so much more interesting.
Chris Sharratt, A-N news, 2015
It is a cliche to call a festival that is off the beaten circuit ambitious, but under the stewardship of Taylor over the past two years Berwick has become more than ambitious, it has become an important event. Berwick shows how art remains vital to public debate and the tattered public sphere, and more importantly still it demonstrates the way in which a small community with real intent can educate, provoke and resist.
John Douglas Millar, Art Monthly, 2016